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Session 1. Does AI Make Us Feel? The Ecology, Politics, and Aesthetics of AI Art
Tiny machine-learning models, or none at all: a provocation on the environment impact of machine learning
Laura U. Marks (Canada｜Simon Fraser University) [More]
Animating Data: Sensation, Art and the Ethics of Bio-AI
Joanna Zylinska (U.K｜King's College London) [More]
Sloppy AI, sensory slippages and artful allagmatics.
Anna Munster (Australia｜University of New South Wales) [More]
Session 2. AI Filmmaking: From Production to Perception to Strategy
‘AI Filming’: The Production of Films Using Artificial Intelligence
Marcel Barsotti (Germany｜Film Director) [More]
Nor Good, Nor Bad, Nor Neutral: A Strategic Perspective on the Generative AI Evolution in the Global Audiovisual Industry
Sten-Kristian SALUVEER (Eesti｜CEO of Storytek) [More]
Session 3. Virtual Convergence: Expanding the Spectrum of Technological Imagination
Beyond the Coordinate: Reconfiguring Affective Sensation via LLM-Based Keypoint Localization
Xiaobin Liu (China｜Nankai University) [More]
What Should Multimodal LLMs Look At in Video? Selective Perception in Video Understanding
Junho Kim (USA｜ University of Illinois Urbana-Champaign) [More]
Session 4. Next-Gen: The Intelligent Evolution of Media Production and Engagement
Controllable 3D Scene Stylization with Depth-Aware Gaussian Splatting and Multi-Reference Decomposition
Sukhun Ko (Korea｜CAU) [More]
A Study on Film Festival Marketing Using Generative AI-Based Secondary Works
Jaryoung Kim (Korea｜CAU) [More]
A Study on Virtual Casting Services for Previsualization Using Face Swap and Voice Conversion
Gilwoo Jeong (Korea｜CAU) [More]
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